The Empty Man (2020), directed by David Prior, is a psychological horror film that defies typical genre conventions, blending cosmic horror with detective noir and existential dread. Based loosely on a graphic novel by Cullen Bunn and Vanesa R. Del Rey, the movie ventures into uncharted narrative territory, presenting an ambitious story that unfolds over 137 minutes—a runtime much longer than most modern horror films.

Plot and Themes

The film begins with a haunting prologue set in the 1990s, where a group of hikers in Bhutan encounters a mysterious entity in a cave. This sets the stage for a story that spans decades and delves into ideas about belief, nihilism, and the power of collective consciousness. The main narrative shifts to James Lasombra (James Badge Dale), an ex-cop turned private investigator who is mourning the loss of his wife and child. He becomes entangled in the disappearance of a teenage girl and her cryptic connection to a sinister urban legend called “The Empty Man.”

As Lasombra investigates, the film evolves from a detective story into something far more unsettling and metaphysical. The “Empty Man” myth serves as an entry point into larger existential questions about the nature of reality, free will, and the creation of meaning. Prior masterfully weaves these themes into a story that keeps viewers guessing, balancing psychological tension with moments of visceral horror.

Visuals and Atmosphere

Visually, The Empty Man is stunning. Prior, a former documentarian and behind-the-scenes filmmaker, brings a meticulous eye for detail. The cinematography by Anastas N. Michos captures eerie landscapes, unsettling suburban spaces, and dark, labyrinthine cult settings. The film’s lighting and framing enhance its oppressive and otherworldly atmosphere, drawing viewers into a world where reality seems malleable and unstable.

The sound design and score, composed by Christopher Young and Lustmord, are equally noteworthy. The ambient soundscapes and jarring audio cues amplify the film’s tension, immersing the audience in a constant state of unease.

Performances

James Badge Dale delivers a standout performance as Lasombra, grounding the film with a nuanced portrayal of grief and determination. His character’s vulnerability and growing paranoia make him a compelling anchor in a story that could easily have spiraled into incoherence without a strong central figure. The supporting cast, including Marin Ireland, Sasha Frolova, and Stephen Root, add depth to the narrative, especially in their roles as cult members or victims of the Empty Man’s influence.

Pacing and Structure

One of the film’s most polarizing aspects is its pacing. At 137 minutes, The Empty Man takes its time unraveling its mysteries, with many sequences devoted to building mood and exploring philosophical concepts. While some viewers might find the film’s deliberate pace frustrating or overly indulgent, others will appreciate its willingness to let the story breathe and its refusal to conform to typical horror formulas.

The film’s structure is unconventional, with the extended prologue feeling almost like a short film unto itself. This decision risks alienating viewers who expect immediate payoffs, but it also sets the tone for the film’s sprawling, unpredictable narrative.

Strengths and Weaknesses

The movie’s ambition is both its greatest strength and potential weakness. It takes risks by combining genres and exploring complex ideas, but this ambition may leave some viewers feeling overwhelmed or unsatisfied. The mythology of the Empty Man is intentionally ambiguous, leaving many questions unanswered—a choice that some will find thought-provoking and others frustrating.

Critics of the film might argue that it tries to do too much, with its philosophical musings occasionally overshadowing its ability to deliver straightforward scares. However, for those who enjoy cerebral horror in the vein of The Babadook, Hereditary, or The Wailing, The Empty Man offers a deeply rewarding experience.

Reception and Legacy

Initially released with little fanfare and almost no marketing due to the transition of 20th Century Fox into Disney, The Empty Man was overlooked by mainstream audiences. However, it has since gained a cult following, with many praising its ambition, originality, and willingness to push the boundaries of the horror genre.

Conclusion

The Empty Man is not a film for everyone. Its deliberate pacing, dense mythology, and existential themes demand patience and intellectual engagement. However, for those willing to immerse themselves in its strange, unsettling world, it offers a unique and deeply haunting experience. It’s a film that lingers long after the credits roll, challenging viewers to grapple with its questions about belief, control, and the void that lies beyond human comprehension.

A hidden gem of modern horror, The Empty Man deserves to be revisited and appreciated as an audacious, genre-defying work.